From Mozart to Megadeth: How classical violinist Rachel Barton Pine is converting heavy metal fans to classical music

Pine gave a delicate and precise performance. Even when playing rapid runs, whether fingering or sliding to each note on the fingerboard, everything came out clearly and in perfect tune

Haymarket Opera triumphs with exciting account of Handel’s “Resurrezione”.

Pine played with considerable intensity, precision, and drama.

Her life as an artist is fueled by omnivorous curiosity, which Pine combines with searing musical intelligence and an impeccable virtuosity—all in the service of finding a deep connection to her audience.

In An Unlikely Kinship, Shostakovich Echoes Heavy Metal On Disc.

Barton Pine’s performance is committed, exciting and exhilarating. Her violin shouts angrily and sings morosely. She explores all the color in the score and the result is a remarkable addition to the classical repertoire that is sure to open listeners to new ways of thinking about classical music.

The Royal Scottish National Orchestra’s concert with two guest artists offers a pair of revelations

Rachel's playing was energetic and virtuosic, impressively executing intricately fast notes.