Mohammed Fairouz Sonata for Solo Violin “Native Informant”

NAXOS 8.559744

RACHEL BARTON PINE, VIOLIN

PROGRAM NOTE BY MOHAMMED FAIROUZ

The title of my violin sonata, Native Informant, is meant ironically: warding off the stereotypical tensions of “East vs. West” and the reductive representation of an entire complex culture as “exotic”, my ideal in all of these works is to project a passionate concern for social justice.

The challenge of writing a big work for an instrument like the violin is party due to the amazing baggage that comes with the instrument. Like the guitar, the violin holds an important position across genres and cultures. Native Informant is a five movement response to a commission from Rachel Barton Pine.

The first movement, Lyric Sketch, is an art-song with secret lyrics. It begins with the violin playing an imitation of a piano intro and then the “voice” comes in. The “song” is complete with a vocal-like high note and ends with a short outro.

Rounds, the second movement, is a vigorous Arabic round dance. This fast and flashy movement brings Arabic fiddling into the picture (the violin has a long history in Arabic folk music). It is music of abandon.

The third movement, For Egypt, begins with a descent from the heights of the violin’s range right down to the bottom. It is a heartfelt lamentation of both intimate sadness and outright grief at the loss of civilian life in the 2011-12 Egyptian Revolution.

The fourth movement is, by contrast just plain fun. This Scherzo captures the retro spirit of New York’s cabaret music that is so dear to me. Although there are no explicit musical quotes in the movement, overtones of Porter, Gershwin and Blitzstein dominate much of the movement. Its cuteness offsets the tragedy of the third movement and prepares for the rebirth signified by the last movement.

The fifth movement, Lullaby of the ex-Soldat, is a tribute to the immense history contained within Rachel’s instrument. I was aware, while writing this piece, that I was writing for an instrument that jammed with Brahms and had a long history before that. We also discovered that while I was working on the Sonata, Rachel became pregnant. So the last movement is dedicated to her daughter Sylvia Michelle Pine, in celebration of birth and renewal.

CREDITS

Recorded at: Oklaven Audio, Yonkers, New York, March 7, 2012
Producers: Ryan Streber and Mohammed Fairouz
Engineer and Editor: Ryan Streber
Cover Photograph: David Degner