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REVIEWS OF RACHEL BARTON'S PERFORMANCES OF "GOD DEFEND NEW
ZEALAND"
"A spectacular work full of seemingly impossible technical
feats."
Illinois Times
"Packed with all the showy tricks of the fiddler's trade,
the piece brought to mind the flamboyant piano pieces of Louis Moreau
Gottschalk."
The State Journal-Register (Springfield,
Illinois)
"The lovely theme was set in a well-designed two-voice texture
throughout. The most striking variation was the second, where the
violinist actually plays in two-part imitative counterpoint. She
begins the first voice by plucking with her left hand, and the second
voice is bowed. The third variation is a big finale with every trick
in the book and a cadence long enough to hang laundry on. It was
an impressive display."
The Daily News (South Florida)
"Full of devilish pyrotechnics - skittery bowings and lift-hand
pluckings - in the style of Paganini's spectacular variations on
Paisiello's "Nel cor piu non mi sento."
Miami Herald
"Paganini - eat your heart out."
The Evening Post (Wellington, New Zealand)
"Her astonishing, lightning-fast playing of a pizzicato melody
with her left hand while bowing a counterpoint with the right, as
she did in a wonderful encore she created of New Zealand's national
anthem, was far more than mere mortal violinists would attempt."
The Knoxville News-Sentinel |