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An Italian Soujourn
American Virtuosa
Scottish Fantasies
Solo Baroque
God Defend New
      Zealand

Brahms & Joachim
Double Play
Instrument of the
      Devil

Storming the Citadel
Black Composers
Liszt: Vol. 1
Handel Sonatas
Homage to Sarasate  

Fanfare Magazine Interviews:
   Jul/Aug 2007
   Nov/Dec 2004
   Jul/Aug 2003
   Sept/Oct 1997

 
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REVIEWS OF RACHEL BARTON'S PERFORMANCES OF "GOD DEFEND NEW ZEALAND"

"A spectacular work full of seemingly impossible technical feats."
Illinois Times

"Packed with all the showy tricks of the fiddler's trade, the piece brought to mind the flamboyant piano pieces of Louis Moreau Gottschalk."
The State Journal-Register (Springfield, Illinois)

"The lovely theme was set in a well-designed two-voice texture throughout. The most striking variation was the second, where the violinist actually plays in two-part imitative counterpoint. She begins the first voice by plucking with her left hand, and the second voice is bowed. The third variation is a big finale with every trick in the book and a cadence long enough to hang laundry on. It was an impressive display."
The Daily News (South Florida)

"Full of devilish pyrotechnics - skittery bowings and lift-hand pluckings - in the style of Paganini's spectacular variations on Paisiello's "Nel cor piu non mi sento."
Miami Herald

"Paganini - eat your heart out."
The Evening Post (Wellington, New Zealand)

"Her astonishing, lightning-fast playing of a pizzicato melody with her left hand while bowing a counterpoint with the right, as she did in a wonderful encore she created of New Zealand's national anthem, was far more than mere mortal violinists would attempt."
The Knoxville News-Sentinel