 
CACOPHONY RECORDS
RACHEL BARTON - STRINGENDO
STORMING THE CITADEL
RACHEL BARTON PINE, VIOLIN
EDGAR GABRIEL, VIOLIN
BRANDON VAMOS, CELLO
Rachel Barton Pine, violin ("ex-Lobkowicz" A&H Amati,
Cremona, 1617)
Edgar Gabriel, violin (Turin, c.1850)
Brandon Vamos, cello (Gasparo da Salo, Brescia, c.1580)
Recorded live: May 29-30, June 25, and July 13, 1997 at WFMT Chicago
Executive Producer: Gregory Pine
Engineer: Bill Maylone
Mastering Engineer: James Ginsburg
Photography: Sharon White
Photographs: Skyline Park, Chicago
Graphic Design: Brian Brozda
Booklet Editing: Joan Pine
Stringendo would like to thank the following people for their help
and support and general cool-ness: Bill Kronenberg and the Third
Coast String Quartet; Nort Johnson and Showcase Music Magazine,
Lou Brutus, Freak, Scott Loftus, Chris Payne, Dave Richards, Joe
Robinson, and everyone else at Rock 103.5; Scott Davidson and Rebel
Radio; Wendy Snyder & Bill Leff and Q101; Jonathon Brandmeier
and The Loop; Karl Kochmann and everyone at Star Security; Jerry
Mickelson and JAM Productions; Ross Beacraft; and Ron Rolland.
"ABOUT THE ALBUM"
by Greg Pine
Rachel has an amazing ability to make the impossible a reality.
The idea of making a CD of covers of some of her favorite rock songs
had been discussed several times since she performed her own arrangements
for two violins and a cello of One and Fade to Black live on Chicago's
Rock 103.5. After subsequent appearances on other rock stations,
an amazing number of people approached her after her classical performances
and explained that they had decided to attend their first classical
concert after hearing her rock renditions on the radio. Because
their experience was very positive, the idea of an outreach album
crystallized.
The original plan was to release the performances of these two
arrangements. Rachel brought with her two exceptional musicians,
Edgar and Brandon, to make the recording. However, with incredible
faith in the group's ability, she ambitiously decided to arrange
and record eight additional covers. In view of a commitment to record
her fourth classical CD in two weeks and the full schedules of everyone
involved, we reserved two nights of studio time ten days later.
The group was able to meet only twice, so several of the songs had
not been rehearsed. However, everyone agreed that the music is so
full of energy and the raw intensity so important to the sound that
editing would detract from the credibility of the music. So on May
29 and 30, everyone gathered at the studio (there is no multitracking
for acoustical instruments) to attempt the impossible: to record
Rachel's arrangements of nine rock songs, her transcription of the
national anthem, and two classical pieces--all in complete live
takes in two evenings. To my astonishment, in less than eight hours,
all nine arrangements, the national anthem, and one of the classical
pieces (with two edited notes) had been completed to everyone's
satisfaction.
Edgar's incredible improvisational ability and terrific sense of
humor kept the group focused but relaxed. Brandon's exceptional
ability to adapt to a totally new genre of music and his experience
as a chamber musician provided a powerful driving bass that, like
drums, kept the group synchronized. Rachel's endless energy and
mastery of her instrument carried everyone to levels none had thought
possible. The final piece that remained unrecorded was Paganini's
Caprice 24, one of the most exciting and difficult pieces for solo
violin. Determined to complete the piece in a live take, Rachel
returned to the studio on June 25. Since everyone was in town that
evening, the group decided to add Blow up the Outside World. Rachel
passed out her arrangement at the studio, and within fifty minutes,
the song had been recorded. Rachel finished off the Paganini on
July 13 for a miraculous total recording time of nine hours and
forty-seven minutes.
It was an incredible honor to work with these musicians; the exceptional
quality of this CD is a tribute to their talent. I hope that you
enjoy this disc as much as we have enjoyed its creation. |